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Fischerhude Journal

The village Fischerhude is situated in the North German lowlands close to Bremen City. Its countryside is lended by large hay meadows and fertile farmland, and by wooded watercourses.
Before the Christian era, Fischerhude was an important consolidated landing stage at the Wuemme river, used as transshipment for goods to and from Bremen eastwards up to Hamburg area. That time this place was called Widagheshude. It was first mentioned documentarily in year 1124 by Pope Calixtus II, to impose road toll there for the monastery in Rastede on behalf of the archdiocese Cologne. From 1195 up to Reformation, there was a self-supporting hermitage of Carmelite monks and a chapel which became consecrated as suffragan church later. In 1288, Bishop Giselbert of Bremen determined again that all transportation on the Wuemme river was allowed to Widagheshude people only, to ensure the revenue.
Around 1290, the Knight of Ritterhude renamed the place Widagheshude in Fischerhude, obviously because of its great fish fortune especially on eels.
In addition to the given transportation monopoly and the available fish fortune, Fischerhude farmers had lush meadows for productive stock farming; furthermore, they could use the nearby Teufelsmoor moorland for getting heating-peat, and the fertile fringes of that moor for growing rye and wheat, and the oak wooded hills nearby as controlled run out for their domestic pigs.
In the subsequent centuries, Fischerhude became a very prosperous village; nevertheless its farmers remained hard-working and thrifty, God-fearing, and faithful to their Lutheran belief.
In the end of the 19th Century, artists and painters were attracted by this village, and so Fischerhude became known as the village of tolerant farmers and open-minded artists.
This non-profit app describes in chapters the village Fischerhude, about the Lutheran Liebfrauenkirche, the problems creating an own local graveyard in association with the mother-church in Wilstedt, and pictures from inside and outside of parish church in combination with audible sacred music; about traditional fishing and hunting rights and the wealth of the free Fischerhude farmers, their spoken dialect audible by the read out poem Mien Heimatort, and the practised successful ecological agriculture of today documented by pictures of the agricultural landscape. The main part of this Journal is about recognized Fischerhude artists, described in short biographies and known paintings of them were shown. About dates of current exhibitions of art and culture in the Buthmann Hof and in the Galerie within the village Fischerhude; and dates of the cultural historical guided tours including visits to the museum Heimathaus Irmintraut and the Otto Modersohn Museum. Monthly changing seasonal pictures of the rural landscape around Fischerhude, Ottersberg, Quelkhorn and Backsberg, and pictures of beautiful spots along the Wuemme river up to St Juergen church. About the origin and the very difficult cultivation of the adjacent marshy Teufelsmoor moorland in the 18th Century up to the beautiful farmland of today. Furthermore, maps of the river lowland region and of the inside of the village itself, reference to art potteries, lists of cozy cafes, traditional restaurants, modernized hotels and of private accommodations within the artists village of Fischerhude.
This non-profit site was created for Internet in year 1996 with friendly support by Fischerhude residents, as well as by the publishing house Atelier-im-Bauernhaus in Fischerhude, the Kunstverein Fischerhude, the Otto-Modersohn-Museum and the Gemaelde-Galerie Neuenkirchen. Special thanks to the descendants of Fischerhude emigrants in the United States.

Particular chapters of Fischerhude Journal:

Words by former Chancellor Schmidt,   Origin and history of the village Fischerhude,   Road links and town map,   Church history of the Lutheran Liebfrauenkirche,   Fischerhude farmers and their old traditions,   The Wuemme river lowlands,   Art potteries of Bertzbach and Craemer,   local heritage Museum Heimathaus Irmintraut,   Chamber music by Hofkonzerte music association,   Cultural-historical guided tours,   Art exhibitions in the Otto Modersohn Art Museum,   Exhibition by Kunstverein Fischerhude in Buthmanns Hof,   Art exhibition and bookstore in the Fischerhuder Gallerie,   Informal cafes with artistic ambience,   Historic restaurants with native cuisine,   Accommodations, inns, pensions, holiday apartments,   Hiking ways within and around the artist village Fischerhude,   Village impressions from summer time,   Seasonal calendar pictures,   Poem by Georg Hinrich Bruns: Mien Heimatort,   Pictures from environment and agriculture in Fischerhude,   Origin and cultivation of the Teufelsmoor landscape
Brief biographies and paintings of recognized Fischerhude artists:
Hermann Angermeyer,   Olga Bontjes van Beek,   Jan Bontjes van Beek,   Mietje Bontjes van Beek,   Cato Bontjes van Beek,   Heinrich Breling,   Amelie Breling,   Louise Modersohn-Breling,   Hans Buch,   Fritz Cobet,   Emma Eibler,   Johanna Eissler,   Marie Fritsch,   Kurt Glauber,   August Haake,   Rudolf Franz Hartogh,   Tomma Leckner,   Hans Meyboden,   Erhart Mitzlaff,   Otto Modersohn,   Christian Modersohn,   Ulrich Modersohn,   Hellmut Mueller-Celle,   Else Pauls,   Wilhelm Heinrich Rohmeyer,   Bertha Schilling,   Diedrich Speckmann,   Wolf-Dietmar Stock,   Helmuth Westhoff,   Clara Rilke-Westhoff,   Werner Zoehl
Recommended external links:

Kunstverein Fischerhude in Buthmanns Hof eV,   Lutheran church Liebfrauenkirche,   Otto Modersohn Museum,   Puppencafe im Eichenhof,   Bellmanns traditional guesthouse,   Koerbers restaurant within historical ambience,   Visitors guide tours asscociation,   village within Ottersberg county,   reference work about the village,   graphic arts and lodging in nearby Wilstedt,   Cato Bontjes van Beek-Gymnasium in Achim,   the landscape Teufelsmoor around Worpswede,   art collection of Stade landscape society

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